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On the way back from Disneyland, Los Angeles, juillet 2011

Trilogy of the Moderns
Partie III : A Wonderfful World
Exhibited at  the Triennale di Milano, Italy, May 2012
A Wonderful World offers a new perspective on the universe of the Moderns, the one in which we are living today; a great park full of abstractions and attractions where everything is laid out for the tourist, arranged around the holidays of the West, designed to infantilise society. Rancinan attentively observes his contemporaries, eschewing cynicism and derision in favour of humour, realism and vivacity. 
RANCINAN, La Trilogie des Modernes

On the way back from Disneyland, Los Angeles, juillet 2011


Trilogy of the Moderns

Partie III : A Wonderfful World

Exhibited at  the Triennale di Milano, Italy, May 2012

A Wonderful World offers a new perspective on the universe of the Moderns, the one in which we are living today; a great park full of abstractions and attractions where everything is laid out for the tourist, arranged around the holidays of the West, designed to infantilise society. Rancinan attentively observes his contemporaries, eschewing cynicism and derision in favour of humour, realism and vivacity. 

RANCINAN, La Trilogie des Modernes

‘Fourteen Actors Acting’
New York Times produced a video gallery of classic screen types calledFourteen Actors Acting which features Javier Bardem, Matt Damon, Robert Duvall, Michael Douglas, James Franco, Jesse Eisenberg, Natalie Portman and others. 

‘Fourteen Actors Acting’

New York Times produced a video gallery of classic screen types calledFourteen Actors Acting which features Javier Bardem, Matt Damon, Robert Duvall, Michael Douglas, James Franco, Jesse Eisenberg, Natalie Portman and others. 

“If we have goals and dreams and we want to do our best, and if we love people and we don’t want to hurt them or lose them, we should feel pain when things go wrong. The point isn’t to live without any regrets, the point is to not hate ourselves for having them… We need to learn to love the flawed, imperfect things that we create, and to forgive ourselves for creating them. Regret doesn’t remind us that we did badly — it reminds us that we know we can do better.”
- Kathryn Schulz

HAPPINESS
ISSUE #83 COLORS
You get it when you win a race and lose it when you get laid off. Governments put it in their policies, preachers in their sermons, writers at the ends of their stories. Scientists say they’ve found it on the left side of the brain. Pursuing it, Americans spend US$20 billion a year on self-help and antidepressants. But wealth isn’t working: people in the West are twice as rich as they were sixty years ago, yet no more satisfied with their lives. Twenty years from now, depression will be the biggest health burden in the world. Joy, euphoria, satisfaction, tranquility, triumph. It comes in many forms. So what makes you happy?

HAPPINESS

ISSUE #83 COLORS

You get it when you win a race and lose it when you get laid off. Governments put it in their policies, preachers in their sermons, writers at the ends of their stories. Scientists say they’ve found it on the left side of the brain. Pursuing it, Americans spend US$20 billion a year on self-help and antidepressants. But wealth isn’t working: people in the West are twice as rich as they were sixty years ago, yet no more satisfied with their lives. Twenty years from now, depression will be the biggest health burden in the world. Joy, euphoria, satisfaction, tranquility, triumph. It comes in many forms. So what makes you happy?

I close my eyes and I see you dancing
Do you see me when you close your’s too?
Devendra Banhart

AUGUSTIN TEBOUL

Inspired by Surrealism the designers leave enough space for chance in the process of creation, while they insist on flawless workmanship and finest materiality. Deeply routed in the craft of tailoring the duo combines poetry and gravity in their cutting-edge designs. AUGUSTIN TEBOUL stands for an exclusive, avant-garde and yet mind-blowingly feminine look.

There are monolithic visions when one

can only see one thing obsession, nothing enters

the visual field- neither comparison nor let on.

the apprehension, terror, stiffness, no give and take, the

will inflexible and blind like a robot - it is simply Fear.

I think fear to be rejected fear to fail

Death is helplessness

I cannot

make myself beloved therefore I attack. I cannot

find the energy to get dressed depression

I cannot face the day. The world is gray

I cannot go out, the world is empty. I cannot belive in tomorrow.

I turn off all the lights

I cannot bear looking at myself the self hate

it is night I cannot obtain - what I want -

I cannot change myself but I can bring death

upon myself - … - All this was unconscious

and I was living the Anxiety.

Louise Bourgeois

Acne Paper 

ZOO FINEST Edited byZOO MAGAZINE 
The acclaimed quarterly publication, whose ground-breaking editorials have become an inspirational platform dedicated to everything from style to art, is back on thecorner.com for a second season of thought-provoking fashion. Through an exclusive shoot, the magazine brings out the darker side of this season’s collections while introducing the new emerging designers selected as part of the new Zoo Finest line-up.

ZOO FINEST Edited byZOO MAGAZINE 

The acclaimed quarterly publication, whose ground-breaking editorials have become an inspirational platform dedicated to everything from style to art, is back on thecorner.com for a second season of thought-provoking fashion. Through an exclusive shoot, the magazine brings out the darker side of this season’s collections while introducing the new emerging designers selected as part of the new Zoo Finest line-up.

A little bit eternal, Rick Owens and Michele Lami

Film by Danielle Levitt

Photography Sara Ferraris Photography Assistant Massimo Meloni Stylist Melina Antonopoulos Make up Artist Diana DeVita Model ANDREA LINDSTROM

Photography Sara Ferraris
Photography Assistant Massimo Meloni
Stylist Melina Antonopoulos
Make up Artist Diana DeVita
 Model ANDREA LINDSTROM